עס איז עפּעס פישי וועגן 'די ביסל יאַמ - מיידל' איבערבליק סקאָרז - דערהייַנטיקן - די קריטיקס מוזן זיין משוגע

Updated 5/29/23 with a review below. Turns out I actually really liked this movie!

Something fishy is going on with The Little Mermaid’s Rotten Tomato user reviews. I fully expected this movie to fare better with critics than with audiences given how the culture wars normally work.

Instead, the critic score is just 67% as of this writing, while audiences are giving it a whopping 95%—significantly higher than The Jungle Book’s 86%. That film scored a 94% with critics.

This is actually quite similar to די סופּער מאַריאָ בראָס פֿילם, which scored just 59% with critics while 96% of fans reviewed the film positively on Rotten Tomatoes. But that’s reflected almost exactly over at Metacritic, where די סופּער מאַריאָ בראָס פֿילם scored just 46 with critics, but pulled in an 86 with audiences.

Meanwhile, Metacritic’s די ביסל מערמאַיד page reflects almost the complete opposite of Rotten Tomatoes:

This is much more in line with what I expected would happen with audience reviews since this movie has become so embroiled in culture war debates around race-swapping, “wokeness” and so forth, as well as just Disney fatigue. Many people not invested at all in the culture wars are nevertheless tired of the live-action remakes.

I find it utterly פּריפּעראַנט that this film would score that much higher with audiences than with critics. Critics, while not entirely politically aligned, are much more likely as a group to be sympathetic to social justice politics and less reactionary to changes made to beloved classics than the average moviegoer. I would expect this movie to have a pretty wide spread of negative and positive reviews, and a score within shouting distance of the critic score (a bit higher or a bit lower, but not almost 30 points higher!)

Indeed, the live-action remake of די ביסל מערמאַיד is now scoring פיל higher with audiences than the 1989 animated classic, which sits at 88% with audiences and 92% with critics. Are we to believe that moviegoers love the remake אַפֿילו מער than the original? That certainly wasn’t the case with שיינקייט און די חיה, which fared better with critics and audiences as a cartoon by a wide margin.

Do I think Metacritic’s 2.1 is an accurate reflection of this film’s quality? Definitely not. CinemaScore has actual audience members giving this an ‘A’ grade, so it’s definitely being warmly received. Beauty and the Beast’s live-action remake also got an ‘A’ CinemaScore, but only clocked in at 80% on Rotten Tomatoes.

I know that Rotten Tomatoes is taking moderation of user reviews seriously, and tries to prevent review-bombing, but these scores seem inflated beyond what is realistically likely for a film that is getting such a lukewarm reception from critics. Peter Pan & Wendy, the most recent live-action Disney remake, scored just a bit lower than די ביסל מערמאַיד with critics (62%) but bombed completely with audiences at just 11%.

Even just casually observing forums and social media, you see a pretty wide range of reactions from wild praise to “meh, it was okay” to “this was hot garbage.” There is no way that Rotten Tomatoes’ 95% or Metacritic’s 2.1 are accurate reflections of what people are actually saying about this movie in the real world. Make of that what you will.

Finally, I should point out that what Rotten Tomatoes shows on its front page is ‘Verified Audience’ scores, but you can click on ‘All Audience’ and suddenly it’s a very different picture:

This seems like a more realistic reflection of what has become a very controversial film. Controversy drives negative reviews. (Note: The uncontroversial יבער מאַריאָ בראָס פֿילם gets 95% with “All Audience” and 96% with “Verified Audience.”)

Similarly, if you click over to Top Critics rather than All Critics, you’ll see that the score drops to just 47%. That aligns even more closely with All Audiences. Curiouser and curiouser.

I haven’t seen it myself yet. This is not a review, obviously. I think it looks fine. My biggest concern with all of these live-action remakes is that they almost always lose at least some of the magic that the original animated versions had in spades. Even ones I’ve enjoyed, like שיינקייט און די חיה, I think to myself after, “Well, I’d prefer to just watch the original!”

And honestly: וואָלט איר ניט?

דערהייַנטיקן:

The Little Mermaid Review: A Delightful Surprise

There’s a fun scene in the new קליין מערמאַיד live-action movie where Ariel snags a hat for Prince Eric, plopping it on his head playfully after snatching it off the head of the street vendor. Later, Scuttle steals the hat in order to get the pair to follow the bird down to the lagoon so that they could serenade the would-be-lovers with a slightly altered version of Kiss The Girl.

Well, speaking of hats it’s time I ate mine. I was deeply skeptical about this latest Disney remake. I’ve been burnt out on the whole project for quite some time and thought this would be another soulless cash grab from the House of Mouse. I was wrong. The critics must be crazy, because this is an absolutely delightful picture and is quite possibly my favorite of all the princess live-action remakes.

Much of that is due to the powerful performance—and singing chops—of lead Halle Bailey as Ariel. She is wonderful throughout, perfectly capturing everything we loved about the original Ariel, but adding a little bit more depth and adventurousness to the character. She and Jonah Hauer-King as Prince Eric have splendid chemistry, which certainly helps. Indeed, the entire cast is marvelous and the remakes of the old songs are truly fun and delightful.

Is it a perfect film? Absolutely not. There are a handful of new songs and the only one I liked is the Scuttle rap, performed by Awkwafina with a bit of Sebastian harmonizing. Daveed Diggs is great as the grumpy crab majordomo also. But the new song for Prince Eric is forgettable, as is Ariel’s new number. They pale in comparison to אונטער דעם ים און Part of Your World, both of which are wonderfully adapted here. Bailey’s singing voice really elevates טייל פון דיין וועלט to a whole new level. It’s brilliant. But I do miss the cartoon version of Under the Sea, with all the fish on their musical instruments.

Indeed, my biggest complaint is the fish. I don’t like the attempt to make Sebastian and Flounder (Jacob Tremblay) look “realistic.” You lose a lot of the fun expressiveness of these characters going this route. I’m thrilled the movie was so bright and colorful after the trailers made it look much less so, but I just sincerely dislike the art direction for the aquatic creatures.

Rounding out the cast we have Javier Bardem as King Triton where he does a very good job as the strict-then-relenting father. His emotional farewell to Ariel hit all the right notes. (His multi-racial brood of daughters makes you think he really got around under the sea, too).

I was skeptical of Melissa McCarthy as Ursula, but she does a terrific job as well, really capturing everything about the original villain perfectly. Her comedic timing and charm really pays off here.

All told, this ended up being a really pleasant surprise for me and my kids. We all went in a bit jaded and skeptical and we all left with smiles on our faces, though both my daughter and I cried like babies at the end. I’m a real crier when it comes to the father/daughter or father/son stuff and this tugged at the heartstrings just right. Probably the best of the Disney live-action movies, which I’m shocked—but happy—to report.

I guess you can lump me in with audiences on this one. It’s a treat. I’m רויק surprised it’s getting this high of an audience review score, but it’s really worth seeing on the big screen. I’m happy to have been wrong!

לאָזן מיר וויסן דיין געדאנקען אויף טוויטטער אָדער פאַסעבאָאָק.

ווי שטענדיק, איך וואָלט ליבע עס אויב איר נאָכפאָלגן מיר דאָ אויף דעם בלאָג און אַבאָנירן צו מיין יאָוטובע קאַנאַל און מיין סובסטאַק אַזוי איר קענען בלייבן דערהייַנטיקט מיט אַלע מיין טעלעוויזיע, פֿילם און ווידעא שפּיל באריכטן און קאַווערידזש. דאַנקען!